Scenes from Confinement is a project of audiovisual correspondences that review the unusual experiencies of confinement from the view of a group of restless spectators. This project was developed in Graner with the Department of Culture of Generalitat de Catalunya support.
︎︎︎ Website Scenes from Confinement
Releated projects:
︎︎︎ Spectators in Residence ︎︎︎ The paradox of the spectator
︎︎︎ Website Scenes from Confinement
Releated projects:
︎︎︎ Spectators in Residence ︎︎︎ The paradox of the spectator
Scenes from confinement
Mediation I El Graner
April-june 2020
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Scenes from Confinement is a project of audiovisual correspondences that revisits the unusual experiences of confinement from the perspective of a group of spectators. This project was born to socialise the experiences of confinement during the time of the pandemic, and to explore the aesthetic realm as a space of interruption and questioning of hegemonic narratives.
The project proposes a virtual platform for sharing perceptions, experiences and everyday images that question the "new normal". If the actors of confinement are dragged to perform the official protocol of action? What can we, the spectators, do from the state of suspension of life that defines us? How do we conduct our gaze, and how can we rehearse a critical and aesthetic gaze on the present?
Mediation I El Graner
April-june 2020
Scenes from Confinement is a project of audiovisual correspondences that revisits the unusual experiences of confinement from the perspective of a group of spectators. This project was born to socialise the experiences of confinement during the time of the pandemic, and to explore the aesthetic realm as a space of interruption and questioning of hegemonic narratives.
The project proposes a virtual platform for sharing perceptions, experiences and everyday images that question the "new normal". If the actors of confinement are dragged to perform the official protocol of action? What can we, the spectators, do from the state of suspension of life that defines us? How do we conduct our gaze, and how can we rehearse a critical and aesthetic gaze on the present?